Jones spent twenty years of his life in Texas prisons beginning in 1941. He was released on parole after nine years, but he was arrested again and sent to prison for life. Sometime between 1960 and 1964, Jones began to draw pictures on salvaged paper of the "haints" he saw. He called these drawings "devil houses." Using stubs of colored pencils thrown away by inmate bookkeepers, he drew horizontal and vertical lines, forming architectural structures viewed in cross section. The houses were divided into cell-like rooms. The "haint" figures were confined and found protection in these rooms. Sometimes the grinning haints had wings or fire spewing out of their mouths.
Jones' art belongs to a category of outsider art called visionary art, which expresses visions only seen or dreamed by the artist. Jones' earliest drawings, as this one, are signed with his prison number because he did not know how to write his name.

I like Jessie Cooper's "visionary art as well. Above
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